Whirl & Whittle

Based in Canada, Pooja Pawaskar is the Indian-born artist behind Whirl & Whittle. Crafting wooden and ceramic pieces that celebrate the inherent beauty in each object's peculiarities, Pooja embraces blemish in her works and herself in a world that relies heavily on flawlessness and statics. Her work is grounded in the belief that the world around us and the things within it are unique rather than imperfect.

Growing up in a multigenerational home in Mumbai, India, Pawaskar was introduced to woodworking at a young age by her grandfather, a formally trained carpenter and model maker. She spent many of her days observing him make furniture and hand-carved pieces. His love for design and grasp of technique captivated her and bled into her own practice. Driven by a fascination with design and art, Pooja studied architecture at Mumbai University; however, it wasn't until her final year her passion for building furniture was unearthed. This realization inspired her to shift gears and apply for a furniture design program at the Savannah College of Art and Design. In 2014, she relocated to Savannah, Georgia, USA, to pursue her passion for woodworking and furniture. After the initial cultural shock, Pawaskar recognized that this was what she was waiting for. Surrounded by avant-garde technology and excellent collaborators, she used the following two years learning and exploring her passion for the handmade.

Upon graduating in 2016, Pawaskar began her career as a furniture designer at Stylex Seating in New Jersey—an opportunity that brought her incredible growth but left her craving for handmade pieces. On weekends she would work on honing her woodworking skill at a communal workshop in New York City. In 2019, Pawaskar relocated to Canada and decided to pursue her passion of becoming an artist. In late 2019, she registered her business, and Whirl & Whittle was born.

www.whirlandwhittle.com / Instagram @whirlandwhittle

NOT WHOLE, BUT COMPLETE

This collection represents the brokenness and loss we experienced during covid; it reminds us that nothing is genuinely damaged, no matter how painful it might seem at the time. The pieces take their ethos from the Japanese art of Kintsugi. The founder draws inspiration from the wisdom of Kintsugi - highlighting the pivotal moment in the life of an object.

IN THE GAPS LEFT BEHIND

Influenced by Wabi-sabi’s teachings of beauty of impermanence and the wisdom of Scottish series ‘Still Game’ in which two widowers find a new kind of happiness in each other company, ‘In The Gaps Left Behind’ celebrates and appreciates the beauty the passage of time holds.

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